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Tópicos Especiais em Teoria da Música

Materiais de Leitura para as Aulas:

 

Aula 9


Aula 8

  • Capítulo II de: NATTIEZ, Jean-Jacques. Music and discourse: toward a semiology of music. New Jersey: Princeton, 1990.
  • AGAWU, Kofi. Against Ethnotheory. In: The Dawn of Music Semiology: Essays in Honor of Jean-Jacques Nattiez (ed. Jonathan Dunsby and Jonathan Goldman). Rochester, NY: University of Rochester Press, 2017, p. 38-55.
  • Introdução de: PERLMAN, Marc. Unplayed Melodies: Javanese Gamelan and the Genesis of Music Theory. Berkeley: University of California Press, 2004.
  • Prefácio e capítulo 1 (The Notion of Relevance) de: AROM, Simha. African Polyphony and Polyrhythm: Musical Structure and Methodology. Cambridge: Cambridge University Press, 1991.
  • Slides mostrados na aula.

Aula 7

  • SOUZA, Rodolfo Coelho de. Uma introdução às teorias analíticas da música atonal. In: BUDASZ, Rogério (org.). Pesquisa em Música no Brasil: Métodos, Domínios, Perspectivas. Série Pesquisa em Música no Brasil. Volume 1. Goiânia: ANPPOM, 2009.
  • Capítulo III de: ELLARD, Brian. Edmond Costère's Lois et Styles des Harmonies Musicales, an English translation and commentary. Rochester: University of Rochester PHD thesis, Eastman School of Music, 1973.
  • Slides mostrados na aula.

Aula 6

  • DRABKIN, William. Heinrich Schenker. In: CHRISTENSEN, Thomas (ed.). The Cambridge History of Western Music Theory. Cambridge: Cambridge University Press, 2002, p. 812-843.
  • KATZ, Adele T.. Heinrich Schenker's Method of Analysis. The Musical Quarterly, Oxford University Press, Vol. 21, No. 3, pp. 311-329, 1935.
  • AGAWU, Kofi. Schenkerian Notation in Theory and Practice. Music Analysis, v. 8, n. 3. p. 275-301, 1989.
  • páginas 222 a 225 de SCHENKER, Heinrich. Der Tonwille: Pamphlets in Witness of the Immutable Laws of Music, Offered to a New Generation of Youth, volume 1, Issues 1-5 (1921–1923). Oxford: Oxford University Press, 2004.
  • Slides mostrados na aula.

 Aula 5

  • BURNHAM, Scott. Form. In: CHRISTENSEN, Thomas (ed.). The Cambridge History of Western Music Theory. Cambridge: Cambridge University Press, 2002, p. 880-906.
  • Fragmento de: WEBSTER, James. Formenlehre in Theory and Practice. In: CAPLIN, William E.; HEPOKOSKI, James; WEBSTER, James. Musical Form, Forms & Formenlehre: Three Methodological Reflections. Leuven: Leuven University Press, 2010, p. 123-139.
  • Capítulo 1 ("Introduction: The Idea of Musical Form as Process") de: SCHMALFELDT, Janet. In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music. New York: Oxford University Press. 2011.
  • Segundo bloco ("Criteria", pgs 31-56) de: DAHLHAUS, Carl. Analysis and Value Judgment. New York: Pendragon Press, 1983.
  • Slides mostrados na aula.

Aula 4

  • Capítulo 1 (Music and Time) de: KRAMER, Jonathan. The Time of Music. New York: Schirmer Books, 1988.
  • Capítulo 2 de: HASTY, Christopher F.. Meter as Rhythm. New York: Oxford University Press, 1997.
  • Capítulo 4 de: HASTY, Christopher F.. Meter as Rhythm. New York: Oxford University Press, 1997.
  • GRISEY, Gérard. Tempus ex Machina: A composer’s reflections on musical time. Contemporary Music Review, [S.I.], v. 2, n. 1, 1 jan. 1987. p. 239-275.
  • Slides mostrados na aula.

 Aula 3

  • Biografias curtas e sumário das principais realizações dos teóricos da Música Ocidental. In: DAMSCHRODER, David. Thinking about Harmony: Historical Perspectives on Analysis. Cambridge, UK: Cambridge University Press, 2008.
  • Capítulo IX ("Musical Logic") de: RIEMANN, Hugo. History of Harmonic Theory, Book III (translated by William Mickelsen). In: MICKELSEN, William C. Hugo Riemann's Theory of Harmony: A Study. Lincoln: University of Nebraska Press, 1977, p. 105-251.
  • Slides mostrados na aula.

Aula 2

  • NOLAN, Catherine. Music theory and mathematics. In: Christensen, Thomas (ed.). The Cambridge history of Western music theory. New York : Cambridge University Press, 2008, p. 272-304.
  • Capítulo 5 de: BENSON, Dave. Music: A Mathematical Offering, New York: Cambridge University Press, 2007.
  • BARBIERI, Patrizio. Temperaments - Historical. In: PALMIERI, Robert; PALMIERI, Margaret W.. Piano: an encyclopedia (2nd ed.). New York: Routledge, 2003, p. 402-409.
  • GREEN, Burdette; BUTLER, David. From acoustics to Tonpsychologie. In: Christensen, Thomas (ed.). The Cambridge history of Western music theory. New York : Cambridge University Press, 2008, p. 246-271.
  • Slides mostrados na aula.

 Aula 1

  • Capítulo II (pgs. 35-53) do livro: CHRISTENSEN, Thomas. The Work of Music Theory; Selected Essays. New York: Routledge, 2014.
  • BLASIUS, Leslie. Mapping the terrain. In: Christensen, Thomas (ed.). The Cambridge history of Western music theory. New York : Cambridge University Press, 2008, p. 27-45.
  • Slides mostrados na aula.